through the snowy wood, slowing down, being wary, then bold and always instinctive. By drawing a parallel between the poem's setting and conflict, Hughes suggests that poetic inspiration is like a fox lurking in the forest, minding its own business: for writers, the best ideas are often right in front of them, waiting to be noticed. Note that the poet cannot observe any star but can comprehend something that holds more promise for him. The stump at once functions as a invasive metaphor for the writers block. The greenness symbolizing fertility and creation at once. The poems unrhymed free verse structure allows rhyme to come knocking at the door in the form of eye-rhyme ( snow/now, eye/concentratedly half-rhyme ( fox/ticks and repetition ( now/now with snow merging into the moment of now, which is lingered on a moment (with now. The term stump refers to the base of the tree that is incomplete without the tree-top. Nevertheless, towards the end of the poem he comes to recognize that inspiration comes from within, and not outside. And there is something else that accompanies the loneliness of the clock-that is the poets creative conciousness.
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They never know uw spanish 103 artist essays what will emerge from their mind's depths, but they know they must be present and ready with pen in hand when an idea strikes. By utilizing an animal as the reflection for his thought process,one wonders whether Ted Hughes writes primarily through instinct. In the description of the foxs eyes, we can glimpse the burning eyes of Blakes Tyger ; and in that opening line, I imagine this midnight moments forest, it is possible to detect an echo of the opening line. These eyes look to the readers like both the foxs eyes and also the poets studied eye movements. Till, with a sudden sharp hot stink of fox. The time is unmarked and yet mature. At once the fox transforms itself to the concrete and persistent image of the poets creative working progress. The reader knows something is about to appear but is uncertain until line 2 when the fox's nose manifests, smelling a twig, a leaf in the imaginary forest. The continuity is accompanied by punctuation-therefore it is a staggering continuity; the idea being reinforced by the word lame. Shadow lags by stump and in hollow.
A critical reading of a poem about poetic inspiration. Of a body that is bold to come. The poet has to make his creativity go beyond the stump and not leave his poetic capabilities stunted. The movement of the lines voice the movement of the fox. Across clearings, an eye, A widening deepening greenness, Brilliantly, concentratedly, Coming about its own business, across the clearings and the undergrowth, there is indeed an eye. The words: now/And again now, and now, and now point to the continuity that has been picked up by the poet. Decades later, "The Thought-Fox" remains one of Hughes' most celebrated poems. The poem is written as, indeed, The Thought-Fox, a truly meta-poem, is now complete.
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