Parker Quintet Sewey Square / Embraceable You / Klacktoveedsedtene / Bongo Bop (Sonet SXP 2826) NN: Charlie Parker All Stars Night in Tunisia / Moose the Mooche / Yardbird Suite / Ornithology (Sonet SXP 2815) py Steve Race: Blue. 15-22 (F; Reprint aus: Jazz Monthly, Jan.1959) Sadik Hakim: The Charlie Parker KoKo Date, in: The Jazz Review, 2/2 (Feb.1959. I love the way Bird plays in sentences that straddle the square (every 2 or 4 beats) progression of the harmony. Then, as the phase shifts in tonality from the secondary dominant to the dominant, Bird immediately begins the phrase again, this time starting on the 3rd beat of the 6th measure and ending on the 1st beat of the 7th measure.
Its a feeling of actually seeing it and responding. Consider this statement by Dizzy Gillespie: I guess Charlie Parker and I had a meeting of the minds, because both of us inspired each other. There is a famous" by Beethoven that music is a higher revelation than philosophy. 18-19 (C Reprint, in: Ken Vail: Birds Diary. Of course this is what occurs harmonically as well, but I am referring here only to the character of Parkers melodic statements its almost as if another person is talking at this point. In addition to Parker's alto sax, there are three other instruments being played in this piece: piano, upright bass, and drums. 59 deathwatch essay (R: Charlie Parker on Dial) Max Jones: Flight of the Bird, in: Melody Maker,.Oct.1974,. Bird, in: Blu Jazz, #30 (Mar.1993. 87-88 (F) Pete Moon: Charlie Parker All Stars Bird on 52nd Street (America 30 AM 6061 in: Pieces of Jazz, 1970,. Blues; Groovin High; Home Cooking; Honeysuckle Rose; Hootie Blues; Hot House; The Hymn; I Cant Get Started; I Got Rhythm; I Love Paris; Indiana; Ive Found a New Baby, Jump the Blues; Kim; Koko; Lady Be Good; Laird Baird; Little Willie Leaps; Lover Come Back. Charlie Parker, in: Metronome, 65/1 (Jan.1949. 4-5 (F) Neil Tesser: Charlie Parker First Recordings (Onyx 221 in: Down Beat, 41/13 (18.Jul.1974.
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