more than one way of being; people fear that which is different, even. This progression in turn sets up the paragraph for the concluding sentence which circles back to the opening metaphor of the wild tongue, here asserting that only violence can cure such wildness. Anzaldua's description of the tendency of society to also keep men in strict gender roles was of great personal interest. It is important to notice, however, that whereas in the second paragraph the Spanish was contained within the mothers dialogue marking it as speech and as expression closely tied to identity and thus, in some ways, both expected and innocuous in the above"tion the. By examining the polarised dichotomies of self-identity, juxtaposed against the internalised and dominant hegemonic discourse of imposed National and cultural identity. Anzalda writes, My stories are acts encapsulated in time, enacted every time they are spoken aloud or read silently. Tracing the non-linear essayism of Anzaldas chapters, my essay likewise picks up ideas, stories, and observations in order to put them into suggestive conversation. Beginning with a personal narrative and moving to an interrogative citation, Anzalda creates a hybrid structure which resonates with her exploration of linguistic identity. Length: 517 words (1.5 double-spaced pages rating: Good Essays, essay Preview. Like Simpson, Wiederhold advocates a reading process that opens up the rhetorical relationship between reader and writer, allowing readers to see double, a position which maneuvers the reader away from the obligation to either stay in control or make sense according to immediately recognizable standards.
The essay as a genre then, and the fluid, hybrid forms Anzalda composes, serve as key texts through which to consider feminist epistemologies. The first is the image of the toad, an entity in its own right which both uses the writer as conduit or host and somehow betrays the writer. Thus, in addition to exploring the spectrum of writing and expression the essay form engenders, part of the work of Borderlands seems to be to balance more argument-driven chapters (such as Chapter Five) with alternate structures and styles of argumentation. Through such intermingling, Anzalda participates in a long tradition of essay-writing technique. This hybrid style marked by changes in types of writing and argument, as well as changes in language usage results in a text which weaves together multiple threads in order to approach a central idea. tags: American America History. Reflecting on this experience, the narrator notes that for those who speak up against injustice, Wild tongues cant be tamed. One of these relationships is that between feeling and knowing, between the conscious and the unconscious. I am a dried serpent skin, wind scuttling me across the hard ground, pieces of me scattered over the countryside. Perhaps it is not the same toad which betrays, however, since the narrator here uses the phrase ghost of the toad that betrayed me, suggesting through the imagery of the ghost that a previous toad was the one that enacted the betrayal. Reading Anzaldas chapters as essays acknowledges the most significant way that her work has been anthologized and thus the material way her work is presented to many audiences.
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